Tuesday, December 23, 2008

Dutch Labor party became tough on Dual citizen ship

Immigrants should give up their original nationality if they become Dutch, Labour party chairwoman Lilianne Ploumen says in a Dutch newspaper..
‘To me loyalty has nothing to do with nationality. But the country of origin must lose its grip. To become Dutch you must, in principle, give up your old nationality,’ Ploumen said.
Earlier this month, the national statistics office CBS said the Netherlands has over a million people with dual nationality. Out of 16 million citizens.

Ploumen’s apparent rejection of dual nationality goes against her party’s stand until now. One Labour junior minister and the new Labour mayor of Rotterdam both have dual nationality.
The number of city council members from Turkey and Morocco, the Muslim countries with the largest populations in the Netherlands, grew by 62 percent, to 223 from 139, according to a Dutch research group. Immigrants from those countries in the 150-seat national parliament rose to seven from five. All have dual citizen ship.

The interview coincides with the publication of a Labour party policy document on integration written by Ploumen entitled Divided Pasts, Shared Futures.
In the document, Ploumen says the Labour party has been too tolerant towards immigrants for too long. ‘The one mistake we must never make again is to swallow criticism of cultures or religions in the name of tolerance,’ the paper quotes her as saying.

Newcomers to the Netherlands must choose to join Dutch society. The job of the government is to defend the state of law, tackle misunderstandings and generate opportunities through high-value education, good social services and an active labour market policy, Ploumen said.

Local politicians who have to deal with actual problems – such as the refusal of some people to shake hands – will have three choices: to tackle the situation according to Dutch standards, to confront or to tolerate.

Honour killings should be tackled according to the law, she said. But the wearing of Muslim headscarves in the classroom is an example of where tolerance should be used. And equality between the sexes is an issue requiring confrontation, the paper quoted her as saying.

The Labour party will vote on the policy document in March.

Blogging burnout

Feels like a blogging burnout...Don't expect too much from me. Will pre write some posts for the next days. That's all.

Day Opening - December 23


Salvador Dali
Crucifixion (Corpus Hypercubus)
1954. Oil on canvas, 194,5 x 124 cm.
Metropolitan Museum of Art, New York. gift of Chester Dale, 1955

When disembarking from the steamship America in Le Harve on March 27, 1953, on his return from New York, Dali announced to the reporters gathered around himself termed as sensational: an exploding Christ, nuclear and hypercubic. He said that it would be the first picture painted with a classical technique and an academic formula but actually composed of cubic elements. To a reporter who asked him why he wanted to depict Christ exploding, he replied, "I don’t know yet. First I have ideas, I explain them later. This picture will be the great metaphysical work of my summer."
It was at the end of spring in 1953 in Port Lligat that Dali began this work, but it is dated 1954, the year which it was finished and then exhibited in the month of December at the Gallery in New York. The painting may be regarded as one of the most significant of his religious oils in the classical style, along with Madonna of Port Lligat, Christ of Saint John of the Cross, and The Last Supper, which is in the National Gallery in Washington, D.C.
"Metaphysical , transcendent cubism"is the way that Dali defines his picture, of which he says: "It is based entirely on the Treatise on Cubic Form by Juan de Herrera, Philip II’s architect, builder of the Escorial Palace; it is a treatise inspired by Ars Magna of the Catalonian philosopher and alchemist, Raymond Lulle. The cross is formed by an octahedral hypercube. The number nine is identifiable and becomes especially consubstantial with the body of Christ. The extremely noble figure of Gala is the perfect union of the development of the hypercubic octahedron on the human level of the cube. She is depicted in front of the Bay of Port Lligat. The most noble beings were painted by Velázquez and Zurbarán; I only approach nobility while painting Gala and nobility can only be inspired by the human being."